![]() Crosby was not comfortable with doing live television-especially 90 minutes of it nonstop-and insisted that the production be filmed. decided to adapt the play as a musical fantasy, with music composed by Arthur Schwartz and lyrics by Anderson, and starring Bing Crosby. In mid-1954 CBS Chairman William Paley approached Anderson about producing the play for his newly planned live-action, 90-minute anthology series, Ford Star Jubilee (1955). In 1942, Anderson helped organize and served as the chairman of the Rockland County Committee To Save High Tor, which helped raise money to purchase the property in 1943 for the creation of a public park.Playwright Maxwell Anderson first considered a musical adaptation of "High Tor" for television in 1949. ![]() Imaginative and as comic as it is poetic in both spirit and expression, High Tor is a singular accomplishment, giving rare grace to this theatrical season in New York. The award included this citation: In its decision the circle celebrates the advent of the first distinguished fantasy by an American in many years. Anderson won the New York Drama Critics Circle Award for the best American play of the 1936–1937 season. The production moved to Broadway ten days later in January 1937, where it played 171 performances. ![]() It was first presented on any stage in Cleveland, Ohio, in December 1936, with Burgess Meredith (Anderson's neighbor in Rockland County) and Peggy Ashcroft in the lead roles. The play also shares the plot element of a ghostly crew of Dutch sailors on the Hudson with Washington Irving's short story Rip Van Winkle.Īnderson began writing the play in May 1936. The story was inspired by the real life controversy over quarrying the palisades along the lower Hudson. The play is named for a summit overlooking the Tappan Zee portion of New York's Hudson River, near where Anderson lived in Rockland County.
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